Moonlight, a huge pile of debris which had once been houses and tiny black figures clambering up it to rescue people somewhere in a top floor. One searchlight beam and two shell bursts like golden starts.
I made some sketches at the time and I have already done a watercolour.
Since that furious night, nearly two weeks ago, we have had a much quieter time. That is Chelsea, otherwise London continues to get knocked about. Turner's house on the embankment has been badly damaged. The house from which he used to watch the sun. So many things we will never see again.
It seems a long time since I heard from you. Twice this week I have been able to wrangle a few minutes off on duty days to hop into the studio in the hope of finding a letter. I am writing this at Hortensia Road. Perhaps there will be one from you when I get back tomorrow morning. You must tell me if Milton Abbas is now in a restricted area, for it so I will have to see about getting the necessary permit when I come to see you next month. It will be wonderful to see you again and it won't be very long now. Less than a month! It is very infuriating to have to spend two precious days in travelling but I will have two clear days with you.
Poor Bill has got a huge bomb crater almost directly opposite his house. Six houses on either side of him have been condemned as unsafe but his has passed the test, although there are big cracks in the walls. Luckily, he was at Sevenoaks when it happened. He is back in Hampstead now, sticking it out again. He says anything is preferable to seeing a lot of his sister. I don't blame him.
I expect Julian won't know me at all now which makes me rather sad, however, I will put that right someday. In fact I am more and more convinced that the war will be over next year. Not that the worst is over yet but the end seems nearer. It's going to be pretty difficult afterwards I think and the best solution seems to be to work and the cultivation of one's individuality and concentration on one's circle of sensible lovable people.
I have almost a horror of finding myself suddenly taking a terrible interest in politics, of joining the Communist Party, and certainly my drawings these days are just pure anti-war propaganda. Religion has failed to save the world and Art can only save the individual. I suppose Religion can do that too but I put all my money on the other horse. People should, must, have a certain material security. Emotional security is quite another matter. Not so desirable, except perhaps in doses - and at the very end. Yet I don't know. Perhaps I am foolish to write about such things for I am getting something out of life, even as it is now and it's certainly grim enough.
Yesterday, as I was crossing Putney Bridge, I saw a huge barge coming towards me. It was just about the time for the nightly sirens, almost dark. There was a single man on the barge slowly guiding it with his long sweeps. He kept it on its course for the centre arch of the bridge. I wondered what he would be feeling when, in a few moments the alarm went, darkness came and with it the barrage, falling shrapnel, raiders and their bombs and flairs. And I imagined that he would just continue rowing that huge unwieldy bulk until he had reached his destination. Indeed, what else could he do? It seemed symbolic.
All my love and write soon,
Clifford
Kiss Julian for me. I will bring him a funny toy.
Journal Entry
October 31, 1940
6.20am. Just awake, after a night of sleeping on and off - lightly - unable to relax because expecting to be called out at any moment. All equipment on. No 'incidents', except two men badly wounded by one of our own shells which exploded when it fell near the World's end soon after 10 o'clock.
'All clear' went at 3.30am. It woke me from a doze. A very dark, rainy night.
Dreaming, I was again in Crookham Road, at number 15. René Quinn* was there and the little rooms were strangely magnificent and his pictures all finely framed.
* René Robert Quinn (1904 -1934), was the son of a successful Australian portrait painter called James Peter Quinn (1869 -1951). His mother was a French woman from Paris called Blanche Marie Louise Quinn, née Guernier (c.1882 - 1961). His parents were married at St Stephen's Mission Church, Putney, London, England in 1902 and René's older brother, Rodger, was born that same year. Soon after René's untimely death, his father went back to Australia in December 1935, apparently leaving his estranged wife in England. She is known to have died in Wandsworth, London, in or around March 1961. Crookham Road is in Fulham, London. Although Clifford clearly held René in high regard as an artist, René's work appears to have vanished without a trace.
We talked about painting, just as we used to when we were both students, inseparable companions. Sometimes we agreed, sometimes we disagreed. 'Deep down in you,' he said, 'there is a little bit of dirty Cockney.' 'Very likely,' I replied, feeling rather proud of it for the first time in my life, and dimly realizing that it could be an advantage. The next moment, it seemed, I was awake. I remembered him so clearly. His amazing talent, his purity of aim, his terrific power of sustained work: all day long, year after year. Then an evening at the Royal Academy Schools when he told me his eyes were going, that all the afternoon he had been trying to see the model's ear where he knew it should naturally be, and all the time it appeared to float just a few inches away from the head.
The gradual change in him - he got thinner and thinner until his clothes hung on him, like the garments of a scarecrow. He shut himself up in his studio and would never let anyone see his work. Sometimes he came to see us. He brought his own food and insisted on eating it, for he was convinced there was a plot to poison him. He wore a dagger in his belt and always placed it, unsheathed, by the side of his plate.
The last time René came to the studio he suddenly asked me would I mind if he kissed Marion. I told him 'No,' I would not mind. He kissed her and then he bent over me and kissed me on the forehead. He said he must go and I went down the stairs with him to the street door. I cannot remember what we talked about, I only remember the terrible look in his eyes. I know that something inside him was crying to be helped and I could not help. He died raving mad.
They used to say when we were students, that if he had a bit of me and if only I had a bit of him there would be a really good painter. Whatever that opinion is worth, one thing is certain: he gave me a great deal - far more than I could ever give him.
I will go to Crookham Road and try to contact his mother.*
6.30 p.m. Have had another good day in the studio. Painted a sketch for the Seaton Street picture. Two raids, but went on working. Very tired now.
* Later I did go to Crookham Road. Mrs Quinn had left, no one knew where she had gone. CH.
On the 31st October, Bill wrote the following letter to Marion
Thursday
Dearest Marion,
Of course, I should have written ages ago and of course every day I have been going to write. But the days go in a flash and every night now someone comes to stay. Steve and Marjorie are constant visitors, I find Steve a generous hearted well meaning dull tedious cove. He did a watercolour of me the other night, full of his commercial tricks and making me look as tedious and dull as he is. Well, perhaps I am! It's raining like hell and the clouds seem to be almost touching the trees, I thought it would keep the bastards away today, but it hasn't, the sirens have just screamed and there's one clanking over the Heath somewhere.
A bomb dropped in this road about a fortnight ago - one Sunday night at 7.45. It didn't do a lot of damage, except that it went deep enough to split the main sewer. People were in houses, no-one hurt. You can bet I had a shock when I cam back on the Tuesday. Four houses opposite condemned, including the famous Pentecost, and this side numbers 80 to 82, and 92 and 94! Lu8cky me! I escaped with cracked walls and ceilings and a fortnight's work clearing the place of soot and plaster and breakages. Nothing broken that I valued, just relieved to think of what I might have had to face. Fifty incendiaries in the road and last Sunday they dropped four on the railway station at the bottom.
Dumps wrote: Who is it looks after you, God or the Devil? I have my suspicions. It has it's funny side. Pentecost: the students there sang hymns every night from 8 to 11. That's finished. There was an old cracked out of tune Victorian piano there, poor beast of burden, a succession of young men banged out hymns, psalms and other religious nonsense on it. The other day all the furniture was out in the middle of the road awaiting removal. One of the salvage men sat at the piano all the morning playing ragtime and jazz.
Cliff is well and cheerful, I saw him yesterday, was glad to find him painting, and to see eight pictures on the floor marked for America. Such old friends of mine! I had loved them all. I think he's coming here on Saturday. Dumps came for the day on Monday. She phoned at 1 to say that she was at London Bridge and on her way, but it was 4.30 before she reached here. Hung up in tubes because of air raids and couldn't get out. Then she had to catch 7.45 back and we got to the station at 6.45 to make certain of the train! She travelled in a pitch-black train and got to Wadhurst at midnight. I'm still looking for a mistress but no luck yet, can't find anyone at all like you. Haven't had a moment lately, most of the day helping neighbours to get their furniture away and making tea and meals for them.
How is my godchild? I fear you have a big responsibility. Chelsea is still bloody but unbowed, there's rather a grim atmosphere over there these days, but the devils have been much quieter the last few nights and I feel we've seen the worst of it - for the time being and until the Spring. London is a heart break. I hate to go there. Judy sends her love, whenever she writes she mentions you. One letter she said: How is Mr Hall and have you heard from Marion? Please send my real love if you write to her because I don't want her to think I only remember her at holiday time and when I see her. And I thought that was a rather nice way of putting things. Russel Square is a terrible mess and Jeanne has been bombed out. Sometimes she sleeps here, other times at office, Lyons Corner House, the Brasserie, shelters and the Dorchester.
A few more months and I think we shall see the end of this wretched business (it could end now right away for all I care!) and we shall all be together again and trying to find humour in the loneliness and misery of this last year. Coraggio!
I am doing some short stories - a series - tentatively called Studies in Sex. They will never be published, but it gives me pleasure to write them and I like to feel no-one could write them as I am doing! I think they are good. Perhaps later on I'll send them to you for safety - I know you wouldn't be like Burton's wife. I called on Beadle (Charles) recently but he had gone with the wind, left no trace, and perhaps that's as well. Dumps is not too happy, sometimes it seems to me that we had to go through this catastrophe to find out how much we all really love each other! I don't really think so.
I mustn't write more now, have so much to do before the bloody black out, but I will NEVER let you go so long again without a letter!
I send you a small but most vital piece of my heart.
Things here at the monastery are comparatively quiet, I shall be going into retreat next week. If it weren't for the daily routine of the lavatory, I should be in danger of forgetting certain organs tacked on tom the middle of me. What Lisa refers to as my tap.
Write to me soon, there's a dear,
Yours, as ever and always,
BILL